Hilarious and ever-humble (also the words 'hopscotch' and 'hullabaloo'), these reviews do indeed focus on the play at hand, yes, this is true, and well-spotted on your behalf! But any performance is more than just what happens on stage. A lot of it is in the audience. Even more has to do with you. A lot of it is to do with sex, because in the theatre-dark you are a voyeur and the pleasures of fresh strangers are your own pleasure. And, well, sure, the booze doesn't hurt ...
So welcome! Please, take a seat, and don't mind that chittering sound; we're not sure what it is exactly, but as long as we keep leaving out plates of raw chicken I think you'll be fine ...
Reviews from the Past! Quickly! To the Delorian!
Since many of these reviews first surfaced on the exceptionally exceptional website, MC Reviews through the benevolence of a certain Nick Terrell, here are a handful in their original glory.
Bang, Downstairs Belvoir
By Jonathan Gavin, directed by Kim Hardwick
Waiting for Godot, New Theatre
By Samuel Beckett, directed by Luke Rogers
Redemption, Old Fitz Theatre
By Johnathan Ari Lander, directed by Fiona Pulford
Animals Out of Paper, Ensemble Theatre
By Rajiv Joseph, directed by Mark Kilmurry
The Beauty Queen of Leenane, STC Wharf 2
By Martin McDonagh, directed by Cristabel Sved
Stockholm, STC Wharf 1
By Bryony Lavery, directed by Scott Graham & Steven Hoggett
Bug, The Stables Theatre
By Tracey Letts, directed by Anthony Skuse
Wit, New Theatre
By Margaret Edson, directed by Jane Eakin
The Suicide, Downstairs Belvoir
By Nikolai Erdman, directed by Simon Stone
Orestes 2.0, The Stables Theatre
By Charles Mee (based on the play by Euripides), directed by Kate Revz
Subscribe to:
Posts (Atom)